Calligraffiti at the Museum of Islamic Art – Doha – Qatar

When I was first contacted by the Museum of Islamic Art, I was surprised that such an institution would be interested in graffiti, and at the same time, honoured that my work had caught their attention.

During one week I conducted a series of workshops with students from neighbouring schools. The purpose of each workshop was to introduce Calligraffiti to youth who either have or have no previous experience with the art process. They learnt various spray paint techniques, graffiti designs and lettering. The desired outcome of these workshops was to instill feelings of artistic agency and pride in realizing large-scale masterpieces in a group environment.

As the week came to a close, I felt that the Museum was striving to both carry the traditions of Islamic Art and keep a vision oriented toward the future. The success of this amazing experience would not have been possible without the dedication of several Museum employees: I would like to personally thank Amel and Deena, the team of the MIA, and all the participants.

Enjoy the  rest of the pictures here.

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About elseedart

eL Seed perceives Arabic Calligraphy as a tangible expression of his search for identity. Throughout his work, myriad paths intersect and mirror the multiple sources of inspiration which nourish his art. Emanating from this confusion is an amalgam of harmony and balance. His art is a mixture of street art and Arabic Calligraphy. It is the product of a double marginality, that of an oriental art seeking a voice in the occidental world, and that of street art struggling to legitimize its presence on the contemporary art scene. This duality enables the reconciling of two supposedly opposing worlds and two supposedly clashing cultures. eL Seed no longer tags his name on walls. He has decided to adopt a proverbial tradition in which the name disappears and only the message remains. Therefore, rather than searching for what distinguishes him from others, eL Seed searches for what unites him and others. His art is a link, an arm outstretched, a bridge towards those who are open to his message.
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